Buddy Knox Party Doll Wynona Carr Should I Ever Love Again Till the Well Runs Dry

The Complete Buddy Holly assembled in 2005 by a community of music fans who get by the proper noun of Purple Chick. Its comprehensiveness rivals the official MCA 6-LP box set, The Complete Buddy Holly, offset released in 1981 and long out-of-impress. The MCA gear up has never been issued on CD...

Volume 1
one: My Two Timin' Woman (Snow)
c.1949: Home Recording, 3315, 36th Street, Lubbock, Texas
Buddy Holly: vocal, audio-visual guitar
2: I 'll Simply Pretend (Martin)
three: Have These Shackles From My Heart (King-Stewart)
c. 1952: Home Recording, 3315, 36th Street, Lubbock Texas
Bob Montgomery (poss. Jack Neal): lead vocal, guitar; Buddy Holly: second vocal, mandolin
iv: Footprints In The Snowfall (Jones)
c:1953: (Prob.) Home Recording, 3315, 36th Street, Lubbock, Texas
Bob Montgomery: lead song, guitar; Buddy Holly: vocal, guitar
5: Gotta Get You Virtually Me Blues+ (Montgomery)
6: Flower Of My Heart* (Montgomery-Guess)
7: Door To My Heart* (Montgomery)
8: I Gambled My Heart+ (Holly-Montgomery)
9: Soft Identify In My Eye+ (Montgomery)
10: Gotta Go You About Me Blues+ (Montgomery)
c. late 1954/April 1955: Nesman Recording Studio - Wichita Falls Texas
Bob Montgomery: pb vocal, acoustic guitar; Buddy Holly: duet song, electric atomic number 82 guitar; Sonny Curtis: fiddle; Larry Welborn: bass on *; Don Guess: steel guitar on *, bass on +
half-dozen-10: plus overdubs: 6 October, 1963 - The Fireballs: (George Tomsco: guitar, Stan Lark: bass; Keith McCormack: rhythm guitar; Lyn Bailey: bass; Doug Roberts: drums)
xi: You And I Are Through* (Montgomery)
12: Memories (Montgomery)
xiii: You And I Are Through* (Montgomery)
xiv: Infant It'southward Dearest (Bob Montgomery-Ella Holley)
15: Memories (Montgomery)
16: Queen Of The Ballroom (Don Guess)
August, 1955: KDAV Studio - Lubbock, Texas
Bob Montgomery: atomic number 82 vocal, acoustic guitar; Buddy Holly: duet song, second lead guitar; Sonny Curtis: dabble, lead guitar on *; Don Guess: bass
13-16: plus overdubs: 26 June 1964 - The Fireballs: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Stan Lark or Lyn Bailey: bass; Doug Roberts or Eric Budd: drums)
17: Infant Let's Play Business firm (Gunter)
18: Down The Line (Holly-Montgomery)
19: Babe Permit's Play House (Gunter)
20: Down The Line (Holly-Montgomery)
Mid 1955: Nesman Recording Studio - Wichita Falls, Texas
Buddy Holly: lead vocal, acoustic guitar; Bob Montgomery: song and guitar on *; Sonny Curtis: lead guitar; Larry Welborn: bass; Jerry Allison: drums
19-xx: plus overdubs: June 1964 - The Firebalk: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Stan Lark: bass; Doug Roberts or Eric Budd: drums)
21: Moonlight Baby (Holly (aka Baby Won't Y'all Come up Out This evening)
22:1 Guess I Was A Fool (Holly)
23: Don't Come up Dorsum Knockin' (Holly-Parrish)
24: Love Me (Holly-Parrish)
7 Dec, 1955: Nesman Recording Studio - Wichita Falls, Texas
Buddy Holly: song, guitar; Sonny Curtis: lead guitar; Don Guess: bass; Jerry Allison: drums (These acetates were sent to Decca in response to a telegram from Eddie Crandall to Dave Rock)
25: Love Me (Holly-Parrish) (Take ten)
26: Don't Come Back Knockin' (Holly-Parrish)
27: Midnight Shift (Lee-Ainsworth)
28: Blue Days, Black Nights (Hall)
26 January, 1956: Bradley's Barn Studio - Music Row, Nashville, Tennessee (Owen Bradley: producer)
Buddy Holly: song; Sonny Curtis: lead guitar; Grady Martin: rhythm guitar; Don Gauge: bass; Doug Kirkham: percussion
29: Infant Won't You Come Out Tonight+ (Holly)
30: I Gauge I Was Just A Fool+ ~Holly)
31: It's Not My Error (Hall-Myrick)
32: I'one thousand Gmlna Fix My Foot Down*+ (Holly)
33: Changill' All Those Changes*+ (Holly)
34: Rock-A-Bye Rock+ (Holly)
35: Bccause I Beloved You+ (Holly)
February-April, 1956: Norman Petty Studios - 1313 Westward 7th Street Clovis New United mexican states
Buddy Holly: vocal, guitar; Sonny Curtis: guitar, pb guitar on *; Don Estimate: bass; Jerry Allison: drums on +

Book Two
one: Baby Won't You Come Out Tonight (Holly)
two: Considering I Love Yous (Holly)
three: Changin' All Those Changes (Holly)
4: I 'm Gonna Set My Foot Down (Holly)
5: Information technology's Not My Fault (Hall-Myrick)
six: Stone-A-Adieu Stone (Holly)
Feb-Apr 1956 session from disc 1 plus overdubs: xiv November 1962 - The Fireballs: (George Tomsco: guitar; Keith McCormack: guitar; Stan Distraction: bass; Doug Roberts or Eric Budd: drums)
7: Rock Around With Ollie Vee (Curtis) (fragment)
8: Rock Around With Ollie Vee (Curtis) (take viii)
9: I'm Changin' All Those Changes* (Holly) (take 3 fragment)
10: I'm Changin' All Those Changes* (Holly) (take 4)
11: That'll Be The Day (Alllson-Holly-Trivial) (take nineteen)
12: Girl On My Mind (Guess) (take 3)
13: Ting-A-Ling (Nugetre) (take 7)
22 July, 1956: Bradley'south Barn Studio - Music Row, Nashville, Tennessee (Owen Bradley: producer)
Buddy Holly: vocal, guitar; Sonny Curtis: guitar, lead on *; Don Guess: bass; Jerry Allison: drums
fourteen: Stone Effectually With Ollie Vee (Curtis) (accept 12)
15: Modern Don Juan (Guess-Neil) (take 76 [sic])
16: Yous're My One Desire (Approximate) (faux showtime)
17: You're My One Desire (Guess) (take two)
15 Nov, 1956: Bradley'due south Barn Studio - Music Row, Nashville, Tennessee (Owen Bradley: producer)
Buddy Holly: vocal; Harold Bradley: guitar; Grady Martin: guitar; Don Guess: bass; Floyd Cramer: pianoforte; Farris Coursey: drums; East.R. "Dutch" McMillin: saxophone
xviii: Gone (Rogers) (version 1)
nineteen: Gone (Rogers) (version two)
20: Gone (Rogers) (version three)
21: Accept Y'all Ever Been Solitary (De Rose-Brownish) (version ane)
22: Have Yous Ever Been Lone (De Rose-Brown) (version 2)
23: Accept You Always Been Lonely (De Rose Brown) (version three)
24: Have You E'er Been Lonely (De Rose-Brown) (version four)
25: Chocolate-brown-Eyed Handsome Man (Berry)
26: Good Rockin' Tonight (Brownish)
27: Rip It Up (Marascalco-Blackwell)
28: Bluish Monday (Bartholomew-Domino)
29: Honky Tonk (Doggett-Shepard-Butler-Scott)
thirty: Blue Suede Shoes (Perkins)
31: Shake, Rattle and Coil (Calhoun)
32: Bo Diddley (McDaniel)
33: Ain't Got No Dwelling (Henry)
34: Holly Hop (Holley)
35: Gone (Rogers) (version iii)
36: Rip It Up (Marascalco-Blackwell)
37: Honky Tonk (Doggett-Shepard-Butler-Scott)
38: Blue Suede Shoes (Perkins)
39: Shake, Rattle and Coil (Calhoun)
40: Have You Ever Been Lonely (De Rose-Brown) (version ane)
41: Practiced Rockin' Tonight (Chocolate-brown)
42: Bluish Monday (Bartholomew-Domino)
43: Ain 't Got No Home (Henry)
44: Holly Hop (Holley)
November-Dec, 1956: (Poss.) Home Recording - 1926, 19th Street, Lubbock, Texas
Buddy Holly: vocal, guitar; Jerry Allison: drums and vocals; (Poss.) Don Judge: bass
35-39: plus overdubs: 10/eleven October, 1963 - The Fireballs: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Stan Lark: bass; Doug Roberts: drums); Half-dozen Niggling: piano
forty-44: plus overdubs: 22 August, 1968 - The Fireballs: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Lyn Bailey or Stan Lark: bass; Doug Roberts: drums)

Infinite here to tell yous a little virtually this collection. Over a twelvemonth in the making, we snagged everything we could find from numerous sources, including What You lot Been A Missin' and The Music Never Died. One thing we didn't include was any of the "Picks" vocal overdubs from the 1980s, frankly because nosotros recollect they suck. Yous can find them on all manner of budget CDs. Only you actually don't want to. Tracks making their CD debut include the 7" versions of "Wait Til The Sun Shines Nellie", "Wait At Me" and "Mailman...", and the 50s and 60s stereo mixes on Disc Nine.

Too as our new, previously unavailable stereo mixes, we managed to dig out 1 or two exclusives: "Have These Shackles..." on disc one is not only upgraded in sound, but appears without skips for the get-go time! As well making their homemade debut (nosotros call up) are the BBC "Maybe Baby" and Florida "That'll Exist The Day" fragments and the commencement version of "That's What They Say". Nosotros're not sure whether the Hightime fragment is lip-synched or sung alive to the tape, simply it debuts here all the aforementioned.

We did minimal work on the source material if it warranted it - mostly de-clicking and speed-correction. Also, we fixed the record glitch on the Palladium "Oh Boy" and combined 2 different sources of "My Two-Timin Woman" to become the longest version in best quality. When speed-corrected the Vigotone "Last Night" and "Transport Me Some Lovin'" plow out not to be alternate takes, just undubbed.

Volume Three
1: Brown-Eyed Handsome Man (Berry)
2: Bo Diddley (McDaniel)
3: Brown-Eyed Handsome Man (Berry)
four: Bo Diddley (McDaniel)
December 1956-January 1957: Norman Footling Studios - 1313 West 7th Street, Clovis, New United mexican states
Buddy Holly: vocal, guitar; Larry Welborn: bass; Jerry Allison: drums; unknown: guitar
3-4: plus overdubs: 22 August, 1968 - The Fireballs: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Stan Lark: bass; Doug Roberts or Eric Budd: drums)
v: I'm Looking For Someone To Love (Holly-Trivial)
6: That'll Be The Day (Allison-Holly-Picayune)
25 Feb, 1957: Norman Petty Studios -1313 West 7th Street, Clovis, New United mexican states
Buddy Holly: vocal, guitar; Larry Welborn: bass; Jerry Allison: drums; Niki Sullivan, Gary Tollett and Ramona Tollett: bankroll vocals
7: Last Night (Petty-Mauldin)
8: Maybe Babe* (Holly-Trivial)
9: Words Of Love (Holly)
10: Last Dark+ (Petty-Mauldin)
11: Mayhap Babe* (Holly-Petty)
12 March, 1957: Norman Petty Studios - 1313 West 7th Street, Clovis, New Mexico
Buddy Holly: vocal, guitar, Joe B. Mauldin: bass; Jerry Allison: drums; Niki Sullivan: second vocal*
The Picks (Bill Pickering, John Pickering, Bob Latham) bankroll vocals on + (dubbed 12-fourteen Oct '57)
xi: plus overdubs: fifteen March, 1966 - The Fireballs: (come across above - Doug Roberts: drums)
12 Words Of Dear* (Holly)
13: Mailman Bring Me No More Dejection+ (Roberts-Katz-Clayton)
14: Mailman Bring Me No More than Blues+ ((Roberts-Katz-Clayton)
8 April, 1957 Norman Lilliputian Studios - 1313 West 7th Street, Clovis, New United mexican states
Buddy Holly: song (double-tracked on *), guitar (double-tracked on *); Jerry Allison: drums; Joe B. Mauldin: bass; Vi Piffling: piano on +
14: plus echo overdub for 7": October 1961: Decca Record Co., Ltd., 254 Belsize Road, London, England
15: Not Fade Away (Hardin-Piddling) (incomplete alternate)
16: Not Fade Away+ (Hardin-Petty)
17: Everyday* (Hardin-Petty)
29 May, 1957: Norman Lilliputian Studios - 1313 West 7th Street, Clovis, New Mexico
Buddy Holly: vocal, guitar; Jerry Allison: cardboard-box (articulatio genus slapping on *); (Prob.) Joe B. Mauldin: bass; Six Fiddling: celeste on *; Buddy Holly, Jerry Allison, Niki Sullivan: overdubbed vocals on +
18: Ready Teddy* (Blackwell-Marascalco)
19: Valley Of Tears# (Domino-Bartolomew)
20: Tell Me How+ (Hardin-Allison-Petty)
May-July, 1957: Norman Petty Studios - 1313 West seventh Street, Clovis, New United mexican states
Buddy Holly: vocal, guitar; Niki Sullivan: guitar on * and +; Joe B. Mauldin: bass; Jerry Allison: drums; Vi Petty: piano on * and #; Norman Lilliputian: organ on #
The Picks (Neb Pickering, John Pickering, Bob Latham) backing vocals on + (dubbed 12-14 Oct '57)
21: Peggy Sue (Holly-Allison-Petty) (alternating)
22: Peggy Sue (Holly-Allison-Piffling)
23: Heed To Me* (Hardin-Petty)
24: That'll Exist The 24-hour interval - for Bob Thiele (Holly-Allison)
25: That'll Exist The Day - for Murray Deutch (Holly-Allison)
26: That'll Be The 24-hour interval - for Bill Randall (Holly-Allison)
27: Oh Boy (Due west-Tilghman-Lilliputian)
28: Oh Boy+ (Due west-Tilghman-Piddling)
thirty June, 1957: Norman Petty Studios - 1313 W 7th Street, Clovis, New Mexico
Buddy Holly: vocal, guitar (double-tracked 5 & g on *), Joe B. Mauldin: bass; Jerry Allison: drums
The Picks (Pecker Pickering, John Pickering, Bob Latham) bankroll vocals on + (dubbed 19 Baronial '57)
29: I'm Gonna Love You lot Too (Mauldin-Petty-Sullivan)
1 July, 1957: Norman Petty Studios - 1313 West 7th Street, Clovis, New Mexico
Buddy Holly: double-tracked vocal, guitar; Joe B. Mauldin bass; Jerry Allison: drums; Cricket: chirp
thirty: Send Me Some Loving (Marascalco-Toll)
31: Information technology'southward Too Late (Willis)
32: Transport Me Some Loving+ (Marascalco-Toll)
33: It's Too Belatedly+ (Willis)
20 July, 1957: Norman Petty Studios -1313 West 7th Street, Clovis, New Mexico
Buddy Holly: vocal, guitar; Joe B. Mauldin: bass; Jerry Allison: drums
The Picks (Neb Pickering, John Pickering, Bob Latham) bankroll vocals on + (dubbed 12-fourteen Oct '57)
34: Am Empty Cup+ (Fiddling-Orbison)
35: Rock Me My Babe+ (Long-Heather)
36: Yous've Got Love+ (Wilson-Orbison-Petty)
37: Possibly Baby+ (Holly-petly)
28-29 September, 1957: The Officers Society Lounge - Tinker U.Southward. Air Force Base, Oklahoma Metropolis, OK
Buddy Holly: vocal, guitar, Niki Sullivan: guitar, Joe B. Mauldin: bass, Jerry Allison: drums
The Picks (Nib Pickering, John Pickering, Bob Latham) backing vocals on + (dubbed 12-fourteen October '57)
38: That'll Be The Day (Holly-Allison-Niggling) (fragment)
22 October, 1957: KPTV Hightime, Portland Oregon
Buddy Holly: mimed (double-tracked?) song; Joe B. Mauldin and Jerry Allison: mimed vocal
39: That'll Exist The 24-hour interval (Holly-Allison-Petty)
twoscore: Peggy Sue (Holly-Allison-Petty)
41: Interview with Ed Sullivan
1 December, 1957: Ed Sullivan Show, CBS Television Studios, New York Metropolis, New York
Buddy Holly: vocal, guitar; Joe B. Mauldin: bass; Jerry Allison: drums; Niki Sullivan: guitar

Book 4
1: Little Baby (Holly-Niggling-Kendall)
2: (You're And so Foursquare) Infant I Don't Care (Leiber-Stoller)
three: Look At Me (Holly-Footling-Allison)
4: Look At Me (Holly-Petty-Allison)
7 December, 1957: Norman Footling Studios - 1313 West 7th Street, Clovis, New United mexican states
Buddy Holly: vocal, guitar; Joe B. Mauldin; bass, Jerry Allison: drums; C.W. Kendall Jr.: piano
4: plus echo overdub for 7: October 1961: Decca Record Co. Ltd. 254 Belsize Road London England
5: Mona (McDaniel) (warm up)
6: Mona (McDaniel) (take ane)
seven. Mona (McDaniel) (take two)
8: Mona (McDaniel) (have three)
December, 1957: Norman Lilliputian Studios - 1313 W 7th Street, Clovis, New Mexico
Buddy Holly: song, guitar; Jerry Allison: drums; guitar at showtime
9: Peggy Sue (Holly-Allison-Piffling)
29 December, 1957: Arthur Murray Trip the light fantastic toe Political party, TV Show - New York Metropolis, New York
Buddy Holly: song, guitar; Joe B. Mauldin: bass; Jerry Allison: drums
10: Rave On (West-Tilghman-Piffling) (take iii)
11: That'southward My Desire (Kresa-Loveday) (rehearsal)
12: That'due south My Desire (Kresa-fifty.oveday) (accept I - fake offset)
13: That's My Desire (Kresa-Loveday) (take 2 breakup)
fourteen: That'southward My Desire (Kresa-50.oveday) (have 3)
fifteen: That s My Want+ (Kresa-Loveday) (take 3)
25 January, 1958: Bell Sound Studios - 237 W. 54th Street, New York City, New York
Buddy Holly: vocal; Joe B. Mauldin: bass; Jerry Allison: drums; Norman Petty: piano; Al Caiola: lead guitar; Donald Arnone: rhythm guitar; The Jivetones: (William Marine, Robert Bollinger, Robert Harter, Abby Hoffer, Merrill Ostaus): bankroll vocals
15: plus overdubs: xv March 1966 - The Fireballs: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Stan Lark: bass; Doug Roberts: drums)
sixteen: Oh Boy (Due west-Tilghman-Petty)
26 January, 1958: Ed Sullivan Bear witness, CBS Goggle box Studios, New York Urban center, New York
Buddy Holly: vocal, guitar; Joe B. Mauldin: bass; Jerry Allison: drums
17: Well... All Right (Holly-Allison-Lilliputian-Mauldin)
12 Feb, 1958: Norman Petty Studios - 1313 West 7th Street, Clovis, New Mexico
Buddy Holly: song, guitar; Joe B. Mauldin: bass; Jerry Allison: cymbals
eighteen: Take Your Time* (Holly-Picayune) (take I breakup)
19: Take Your Fourth dimension* (Holly-Petty) (take 2 - breakdown)
20: Take Your Fourth dimension* (Holly-Peity) (take 3)
21: Take Your Time* (Holly-Pelty) (take iv)
22: Fool's Paradise (Leglaire-Footling-l.insley) (take 1)
23: Fool's Paradise (Leglaire-Petty-Linsley) (take ii)
24: Fool's Paradise (I.eglaire-Little-Linsley) (take 3)
25: Thhlk It Over (Holly-Petty-Allison) (take 1 - faux start)
26: Think It Over (Holly-Petty-Allison) (take 2 - fake kickoff)
27: Think It Over (Holly-Petty-Allison) (take three)
28: Retrieve It Over (Holly-Petty-Allison) (take iv)
29: Think It Over (Holly-Petty-Allison) (have 5)
30: Fool's Paradise+ (Leglaire-Petty-Linsley) (take 3)
31: Remember It Over+ (Holly-Petty- Allison) (take 5)
xiv Feb, 1958: Norman Petty Studios - 1313 West seventh Street, Clovis, New Mexico
Buddy Holly: vocal, guitar; Joe B. Mauldin: bass; Jerry Allison: drums, paper-thin-box on *; Norman Petty: organ on *- plus The Roses (Robert Linville, Ray Rush, David Bigham) backing vocals on +; Half dozen Little: pianoforte on + (overdubbed: 19 Feb, 1958)
32: That'll Be The Mean solar day* (Allison-Holly-Piffling) (fragment)
33: Everyday* (Hardin-Picayune) (fragment)
34: Drown In My Ain Tears+ (fragment)
35: Hallelujah, I Love Her And then + (Charles) (Glover) (fragment)
24 Feb, 1958: "Big Aureate Tape Stars Show" - Dade County Auditorium, Miami, Florida
Buddy Holly: vocal, guitar; Joe B. Mauldin: bass on *; Jerry Allison: drums on *; Jerry Lee Lewis: pianoforte and vocal on +
36: That'll Be The Day (Allison-Holly-Footling)
37: Peggy Sue (Holly-Allison-Petty)
38: Oh Boy (W-Tilghman-Petty)
ii March, 1958: The London Palladium - Argyle Street, London, England
Buddy Holly: vocal, guitar; Joe B. Mauldin: bass; Jerry Allison: drums
39: Perhaps Baby (Holly-Petty) (fragment)
xiv March,1958: BBC Television studios - Lime Grove, London, England
Buddy Holly: vocal, guitar; Joe B. Mauldin: bass; Jerry Allison: drums
forty: Heartbeat* (Montgomery-Fiddling)
41: Lonesome Tears+ (Holly)
42: Information technology'south So Easy+ (Holly-Niggling)
25 May, 1958: Norman Petty Studios - 1313 Due west seventh Street, Clovis, New Mexico
Buddy Holly: vocal, guitar; Tommy Allsup: lead guitar; Joe B. Mauldin: bass on +; Jerry Allison: drums on +; George Atwood: bass on *; plus The Roses (Robert Linville, Ray Rush, David Bigham): bankroll vocals on + (overdubbed: 27 May, 1958)
43: Beloved's Fabricated A Fool Of Y'all (Holly-Montgomery)
44: Wishing (Holly-Montgomery)
45: Honey'southward Fabricated A Fool Of You+ (Holly-Montgomery)
46: Wishing ++ (Holly-Montgomery)
2 June, 1958: Norman Picayune Studios - 1313 Due west seventh Street, Clovis, New Mexico
Buddy Holly: double-tracked vocal, guitar; Tommy Allsup: atomic number 82 guitar; George Atwood: bass; Bo Clarke: drums - 45-46: plus overdubs: January 7, 1964 - handclaps on +; 1963 guitar overdubs on ++

Book V
i: Early In The Morning (Darin-Harris)
two: At present We're Ane (Darin) (fragment)
iii: Now We're One (Darin)
xix June, 1958: Coral Records Studios - The Pythian Temple, 80th Street, New York City, New York
Buddy Holly: song; George Barnes: lead guitar; Al Chernet: acoustic guitar; Sanford Bloch: bass; Ernest Hayes: piano; David "Panama" Francis: drums; Philip Kraus: drums; Sam Taylor: alto saxophone; Helen Way Singers: (Helen Manner, Harriett Immature, Maeretha Stewart, Theresa Merritt): backing vocals
iv: Everyday KLLL Jingle (Holly)
5: Peggy Sue KLLL Jingle (Holly-Alllson)
1 September, 1958: Radio KLLL - Lubbock, Texas
Buddy Holly: song, guitar
half dozen: Come Dorsum Baby (Petty-Nell)
seven: Reminiscing (Curtis) (Buddy wrote this, but gave Rex Curtis the credit for flying down to the session)
8: Reminiscing + (Curtis)
x September, 19S8: Norman Petty Studios - 1313 Due west 7th Street, Clovis, New Mexico
Buddy Holly: vocal, guitar; Joe B. Mauldin: bass; Jerry Allison: drums; Curtis "Rex Curtis" Ousley: saxophone
8: plus overdubs: 14 November, 1962 - The Fireballs: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Stan Lark: bass; Eric Budd: drums)
9: True Love Means (Holly-Petty) (stereo)
10: It Doesn't Matter Anymore (Anka) (stereo)
11: Raining In My Heart (B & F Bryant) (stereo)
12: Moondreams (Niggling) (stereo)
13: True Love Ways (Holly-Petty) (mono)
14: It Doesn't Affair Anymore (Anka) (mono)
15: Raining In My Heart (B & F Bryant) (mono)
xvi: Moondreams (Petty) (mono)
21 Oct, 1958: Coral Records Studios - Pythian Temple,80th Street, New York City, New York
Buddy Holly: vocal; Al Caiola: acoustic guitar; Sanford Bloch: bass; Ernest Hayes: piano; Doris Johnson: harp; Clifford Leeman: drums; Abraham Richman: tenor saxophone; Sylvan Shulman, Leo Kruczek, Leonard Posner, Irving Spice, Ray Free, Herbert Bourne, Julius Held, Paul Winter: violin, David Schwartz Howard Kay: viola, Maurice Brown, Maurice Bialkin: cello
9-12 Mixed for stereo 1979. Alternate stereo mixes of 9, 10 and eleven from 1959 and 1967 on disc nine.
17: That's What They Say (Holly) (version I - incomplete)
18: That's What They Say (Holly) (version 2)
19: What To Practice (Holly)
xx: Peggy Sue Got Married (Holly)
21: That Makes It Tough (Holly)
22: Crying, Waiting, Hoping (Holly)
23: Learning The Game (Holly)
iii December, 1958 (17-19); S Dec, 1958 (20); viii December, 1958 (21); 14 December, 1958
(22); 17 December, 1958 (23): Flat 4-H, The Brevoort, 8th Street, New York City, New York
Buddy Holly: vocal, acoustic guitar
24: You're The One (Holly-Jennings-Corbin)
27 December, 19S8: Radio KLLL. - Lubbock, Texas
Buddy Holly: song, guitar; Waylon Jennings: handclapping; Ray "Slim" Corbin: handclapping
25: Wait 'Til The Sun Shines Nellie* (Sterling-Von Tilzer)
26: Slippin' And Slidin'* (Penniman-Bocage-Collins-Smith) (Slow version # 1)
27: Slippin' And Slidin'* (Penniman-Bocage-Collins-Smith) (slow version # 3)
28: Slippin' And Slidin' (Penniman-Bocage-Collins-Snulh) (tedious version # ii)
29: Slippin' And Slidin' (Penniman-Bocage-Collins-Smith) (fast version)
30: Drown In My Own Tears (Glover) (fragment)
31: Maria Elena
32: Beloved (McDaniel-Polk-Bakery) (version i - incomplete)
33: Dearest (McDaniel-Polk-Baker) (version 2)
34: Love Is Strange (Smith-Bakery)
35: Smokey Joe'southward Cafe (Leiber-Stoller)
36: Smokey Joe's Buffet (Leiber-Stoller) (unedited)
37: Buddy'south Guitar (Holly) (aka I Know I'll Accept
The Blues Again aka Leave My Womam Alone)
1-20 January, 1959: Apartment iv-H, The Brevoort,eighth Street, New York City, New York
Buddy Holly: vocal, audio-visual guitar, electrical guitar on *
38: Slippin' And Slidin'* (Penniman-Bocage-Collins-Smith) (sped-up version # 1)
39: Slippin' And Slidin'* (Penniman-Bocage-Collins-Smith) (sped-upward version # iii)
twoscore: Slippin' And Slidin' (Penniman-Bocage-Collins-Smith) (sped-up version # 2)
i-20 January, 1959: Flat four-H, The Brevoort, 8th Street, New York Urban center, New York
Buddy Holly: vocal, acoustic guitar, electric guitar on *
Buddy deliberately recorded these songs at a slow tempo, with the tape running at half-speed (71/2 i.p.s. versus 15 i.p.s.) and then they would audio similar The Chipmunks when played back!

Volume Half dozen
1: Peggy Sue Got Married (Holly)
2: Crying, Waiting, Hoping (Holly)
overdubbed thirty June, 1959: Coral Records Studio A, New York Metropolis, New York
Andrew Ackers: pianoforte; David 'Panama' Francis: drums; Sandford Block: bass; The Ray Charles Singers: backing vocals; C. John "Jack" Hansen: producer
3: That's What They Say (Holly) (take 2)
4: What To Do (Holly)
5: Learning The Game (Holly)
6: That Makes It Tough (Holly)
overdubbed ane January, 1960: Coral Records Studlo A, New York City, New York
Andrew Ackers: pianoforte; David 'Panama' Francis: drums; Sandford Cake: bass; The Ray Charles Singers: backing vocals; C tohn "Jack" Hansen: producer
Mixed for stereo in 1979. Alternate stereo mixes of 4 and five from 1967 are on disc nine of this set.
7: What To Do (Holly)
viii: Peggy Sue Got Married (Holly)
ix: Crying, Waiting, Hoping (Holly)
x: That Makes It Tough (Holly)
11: That'south What They Say (Holly) (version 2)
12: Learning The Game (Holly)
overdubbed June 1962-December 1963: Norman Piffling Studios - 1313 W 7th Street, Clovis, NM
The Fireballs: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Stan Lark: bass; Doug Roberts or Eric Budd: drums); Norman Petty: producer
13: Yous're The One (Holly-Jennings-Corbin)
overdubbed June 1962-Dec 1963: Norman Petty Studios - 1313 West 7th Street, Clovis, NM
The Fireballs: (George Tomsco: guitar; Jimmy Glimer: rhythm guitar; Stan Lark: bass; Doug Roberts: drums); Norman Picayune: Onedeoline, Producer
xiv: Umm, Oh Yeah (Honey) (McDaniel-Polk-Baker) (version ii)
15: Slippin' And Slidin' (Penniman-Bocage-Collins-Smith) (ho-hum version #2)
overdubbed 1962-1963: Norman Fiddling Studios - 1313 West 7th Street, Clovis, New United mexican states
The Fireballs: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Stan Lark: bass; Doug Roberts or Eric Budd: drums); Norman Petty: producer
sixteen: Look 'Til The Sunday Shines Nellie (Sterling-Von Tilzer) (single version)
17: Wait 'Til The Sun Shines Nellie (Sterling-Von Tilzer) (album version with boosted overdubbing)
overdubbed 29 Oct 1962: Norman Petty Studios -1313 West 7th Street, Clovis, New Mexico
The Fireballs: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Stan Distraction: bass; Doug Roberts or Eric Budd: drums); poss. Vi Petty, George Tomsco, Homer Tankersley: backing vocals; Norman Petty: producer
xviii: Love Is Foreign+ (Smith-Baker)
xix: Slippin ' And Slidin ' (Penniman-Bocage-Collins-Smith) (fast version)
20: Dearest* (McDaniel-Polk-Baker) (version two)
21: Smokey Joe'southward Cafe* (Leiber-Stoller)
overdubbed 1968: Norman Petty Studios -1313 West 7th Street, Clovis, New Mexico
The Fireballs: (George Tomsco: guitar; Keith McCormack: rhythm guitar; Stan Lark: bass; Doug Roberts: drums); Norman Petty: Onedeoline on +; poss. Vi Petty, Barbara Tomsco, George Tomsco, Homer Tankersley: backing vocals on *; Norman Petty: producer
22: Peggy Sue Got Married (Holly)
overdubbed 1995, Abbey Road Studios, London, England
The Hollies: (Allan Clarke, Graham Nash, Tony Hicks: vocals; Tony Hicks: rhythm and lead guitar; Bobby Elliott: drums; Ian Parker: keyboards; Ray Stiles: bass; Alan Coates: percusslon)
23: Got To Get You About Me Dejection (Montgomery)
24: Memories (Montgomery)
25: Babe Let's Play House (Gunter)
26: Last Night (Niggling-Mauldin)
27: Oh Male child (Due west-Tilghman-Piddling)
28: Send Me Some Loving (Marascalco-Toll)
29: It's Besides Tardily (Willis)
xxx: That'southward My Want (Kresa-Loveday)
31: Fool'due south Paradise (Leglaire-Petty-Linsley)
32: Think Information technology Over (Holly-Niggling-Allison)
33: Love's Made A Fool Of You (Holly-Montgomery)
34: Wishing (Holly-Montgomery)
True stereo versions - For The First Time Anywhere!!
Created by Purple Chick synchronizing the dubbed and undubbed versions that appear earlier on this set up.
(Undubbed versions are panned mostly left, the dubbed versions mostly right.)

Volume 7
1: I Saw The Moon Cry Last Nighttime (Neal) - Jack Neal
2: I Hear The Lord Callin' For Me (Neal) - Jack Neal
c. 10 November 1953: Radio KDAV - 6602 Quirt Avenue, Lubbock, Texas
Jack Neal: vocal, guitar; Buddy Holly: guitar
three: All From Loving You lot* Hall) - Ben Hall
four: Rose Of Monterey+ (Hall) - Ben Hall
c. 1955: Radio KSEL, Lubbock, Texas(*); Radio KDAV - 6602 Quirt Avenue, Lubbock, Texas(+)
Ben Hall: vocal; Buddy: guitar; Sonny Curtis: fiddle; Weldon Myrick: steel guitar; Dena Hall: bass
five: Considering You Love Me (Curtis) - Sonny Curtis
vi: I'll Miss My Middle (Inman) - Sonny Curtis
seven: Queen Of The Ballroom (Guess) - Sonny Curtis
eight: This Canteen (Curtis) - Sonny Curtis
9: Dallas Boogie (Curtis) - Sonny Curtis
10: 1 In A Million (Curtis) - Sonny Curtis
7 June 1955: (Prob.) Nesman Recording Studio - Wichita Falls, Texas;
Sonny Curtis: vocal; Buddy Holly: guitar; Larry Welborn: bass; Jerry Allison: drums
1l: Go Boy Become* (Wilson) - Gary Dale
12: Gone* (Rogers) - Gary Dale
thirteen: Become Boy Get+ (Wilson) - Gary Dale
14: Gone+ (Rogers) - Gary Dale
15: The Gilt Rocket+ (Snow) - Gary Dale
16: 1 Disregarded An Orchid+ (Story-Smith-Lyn) - Gary Dale
21 February, 1957: Radio KDAV - Lubbock Texas (*)
1 March, 1957: Norman Petty Studios -13i3 West 7th Street, Clovis, New Mexico (+)
Gary Dale Tollett: vocal; Buddy Holly: guitar; 3erry Allison: drums; Ramona Tollett, June Clark, Niki Sullivan: backing vocals
17: A Whole Lot Of Lovin' (Huddle-Picayune-Robinson) (take I ) - Jim Robinson
xviii: A Whole Lot Of Lovin' (Huddle-Little-Robinson) (take 2) - Jim Robinson
xix: A Wbole Lot Of Lovin' (Huddle-Trivial-Robinson) (take three) - Jim Robinson
xx: A Whole Lot Of Lovin'+ (Huddle-Petty-Robinson) (accept 3) - Jim Robinson
21: Information technology's A Wonderful Feeling* (Huddle-Little-Robinson) - Jim Robinson
28 April, 1957: Norman Petty Studios - 1313 W seventh Street, Clovis, New United mexican states
Jim Robinson: vocal; Buddy Holly: guitar; Jerry Allison: paper-thin-box percussion, drums on *; Vi Niggling: piano on *; (Poss.) Joe B. Mauldin: bass; The Bowman Brothers: bankroll vocals on *, plus The Roses (Robert Linville, Ray Rush, David Bigham) bankroll vocals on + (dubbing date unknown)
22 Starlight (Huddle-Petty-Robinson) - Jack Huddle
23: Believe Me* (Niggling-Robinson) - Jack Huddle
28 April, 1957: Norman Petty Studios - 1313 Due west 7th Street, Clovis, New Mexico
Jack Huddle: vocal; Buddy Holly: lead guitar; Jerry Allison: drums; (Poss.) Joe B. Mauldin: bass; The Bowman Brothers: bankroll vocal on *; Vi Petty: piano on *
24: Past The Mission Wall (Cline) - Fred Crawford
Apr-June, 1957 (or 14 July, 1957): Norman Little Studios - 1313 Due west seventh Street, Clovis, NM
Fred Crawford: vocal; Buddy Holly: guitar; 3erry Allison: drums; (Poss.) Joe B. Mauldin- bass; (Poss.) Norman Picayune: organ; (Poss.) The Bowman Brothers: backing vocals
25: A Man From Texas (Russell-Petty-Dougherty)- Jim Robinson
24 June, 1957: Norman Petty Studios - 1313 W 7th Street, Clovis, New Mexico
Jim Robinson: vocal; Buddy Holly: guitar; (Poss.) George Atwood: bass; Unknown: drums; Half dozen Piddling: piano; The Picks: backing vocals (overdubbed mid-Baronial, 1957)
26: Cleaved Promises (Davis) - Sherry Davis
27: Apprehensive Heart* (Davis) - Sherry Davis
prob. 12 July, 1957: Norman Petty Studios -1313 West seventh Street, Clovis, New United mexican states
Sherry Davis: vocal; Buddy Holly: lead guitar; Jack Vaughn: rhythm guitar; Jerry Allison: drums; Unknown: bass; The Picks: backing vocals; Cistron Medley: backing vocals on *
28: Expect To The Future* (Petty-Sullivan) - Gary Dale
29: Houey Dear (Tollett) - Gary Dale
fourteen July, 1957: Norman Lilliputian Studios - 1313 West 7th Street, Clovis, New Mexico
Gary Dale Tollett: vocal, guitar on *; Buddy Holly: guitar; 3erry Allison: drums; (Poss.) Joe B. Mauldin: bass; Ramona Tollett: bankroll song; The Picks: backing vocals (overdubbed mid-Aug.1957)
30: Sugartime (Phillips-Echols) (version 1) - Charlie Phillips
31: Sugartime (Phillips-Echols) (version 2) - Charlie Phillips
32: One Faded Rose* (Echols-Baggett-Phillips) (version i) - Charlie Phillips
33: Ane Faded Rose* (Echols-Baggett-Phillips) (version 2) - Charlie Phillips
July 1957: Norman Little Studios - 1313 West seventh Street, Clovis, New United mexican states
Charlie Phillips: vocal; Buddy Holly: lead guitar, harmony vocal on *; Jack Vaughn: audio-visual guitar; Jerry Allison: drums; Jimmy Blakely: steel guitar; George Atwood: bass

Discs Seven and Eight compile all circulating sessions featuring Buddy every bit a side musician and/or producer, plus songs Buddy wrote that he never recorded, with others finishing the compositions posthumously. Others be, and may yet escape ( "I Sent You Roses" by Jerry Engler is due to be released later in 2005).

Some tracks, which erroneously appeared on previous compilations, have been excluded:
Buddy shared a session with Billly Walker on 12 March, 1957, just does not characteristic on Billy'due south recordings.
"When Sin Stops" by The Nighthawks (Hamilton 50006), on the Vigotone set does not characteristic Buddy.
Similarly, "Oh Boy!" on the Vigotone Fix is by Billy And The Glens (Jaro 77006), non Sonny West.
The contemptible "Ni**er Hatin' Me" was recorded in the late 60s(!) past Johnny Rebel (CJ. Trahan).

Volume Viii
1: Moondreams (Little) (album version) - The Norman Footling Trio
ii: Moondreams* (Niggling) (unmarried version) - The Norman Petty Trio
3: Moondreams+ (Petty) (alternating version) - The Norman Footling Trio
xx-22 July, 1957: Norman Petty Studios - 1313 W 7th Street, Clovis, New Mexico
Buddy Holly: acoustic guitar; Norman Piffling: organ; Half dozen Fiddling: piano; Mike Mitchell: percussion; Unknown: bass; The Picks: overdubbed vocals on *; The Roses: overdubbed vocals on +
(1 and two are the same version, but 3 is a different recording/take entirely.)
4: Don't Do Me This Way (Tucker) - Rick Tucker
5: Patty Babe (Baker-Tucker) - Rick Tucker
25 August, 1957: Norman Petty Studios -1313 Westward 7th Street, Clovis, New Mexico
Rick Tucker: vocal, poss. guitar; Buddy Holly: atomic number 82 guitar or (Poss.) Roy Orbison: atomic number 82 guitar; (Poss.) Bo Clarke: drums; (Poss.) Don Guess: bass; Bill Pickering and Bob Lapham: bankroll vocal
6: Don't Do Me This Fashion (Tucker) Rick Tucker
12 September, 1957: Norman Piddling Studios - 1313 West 7th Street, Clovis, New Mexico
Rick Tucker: song; Buddy Holly: acoustic guitar or (Poss.) Rick Tucker: audio-visual guitar; Vi Trivial: piano; (Poss.) Bo Clarke: drums; (Poss.) Don Estimate: bass; The Picks: backing vocals
7: Real Wild Child (O'Keefe-Greenan-Owens) (take 1)- Ivan
8: Real Wild Child* (O'Keefe-Greenan-Owens) (accept 2) - Ivan
9: Oh, You lot Beautiful Doll (Brownish-Ayer) (take i) - Ivan
10: Oh, You Beautiful Doll (Brown-Ayer) (take two) - Ivan
11: Oh, You Beautiful Doll+ (Chocolate-brown-Ayer) (take 2) - Ivan
19 February, 1958: Norman Petty Studios - i313 Due west 7th Street, Clovis New Mexico
Jerry "Ivan" Allison: vocal, overdubbed drumsticks on +; Buddy Holly: guitar, overdubbed lead guitar, backing vocal on *, Joe B. Mauldin: bass, backing song on *; Bo Clarke: drums, bankroll song on *; Norman Petty: overdubbed water-filled wine glasses on +
12: Scarlet Ribbons (.Siegal-Danzig) - Carolyn Hester
13: Wreck Of The Erstwhile '97* (traditional) - Carolyn Hester
1958: Norman Petty Studio - 1313 W 7th Street, Clovis, New United mexican states
Carolyn Hester: vocal; Buddy Holly: guitar; George Atwood: bass (*); Jerry Allison: percussion (*)
14: What A' You Gonna Practice (Engler) - Jerry Engler
seven September, 1958: Norman Little Studios - 1313 West seventh Street, Clovis, New Mexico
Jerry Engler: song; Buddy Holly: guitar, bells; George Atwood: bass; Bo Clarke: drums
xv: When Sin Stops (Venable) (accept I - instrumental) - Waylon Jennings
16: When Sin Stops (Venable) (take 2 - instrumental) - Waylon Jennings
17: When Sin Stops (Venable) (take three - instrumental) - Waylon Jennings
xviii: When Sin Stops (Venable) (take 4 - song) - Waylon Jennings
nineteen: When Sin Stops (Venable) (take 5 - song) - Waylon Jennings
20: When Sin Stops (Venable) (take 6 - vocal) - Waylon Jennings
21: When Sin Stops+ (Venable) (take 2) - Waylon Jennings
22: Jole Blon (Choates-York) - Waylon Jennings
ten September, 1958: Norman Piffling Studios - 1313 Westward 7th Street, Clovis, New Mexico
Waylon Jennings: vocal; Buddy Holly: guitar; George Atwood: bass; Bo Clarke: drums; Curtis "King Curtis" Ousley: tenor saxophone; The Roses backing vocals overdubbed on +
23: Stay Close To Me (Holly) (simulated first) - Lou Giordano
24: Stay Close To Me (Holly) (accept 4) - Lou Giordano
25: Don't Cha Know* (Everly) - Lou Giordano
30 September, 1958: Beltone Recording Studio, New York City, New York
Lou Giordano: song; Buddy Holly: guitar; Phil Everly: guitar; Unknown: bass guitar; Unknown: drums; Buddy Holly, Joey Villa, Phil Everly: falsetto vocals on *
26: More than And More than (Jennings) - Waylon Jennings
27: When You Are Alone (Jennings) - Waylon Jennings
27 Dec, 1958: Radio KLLL. - Lubbock, Texas
Waylon Jennings: vocal; Buddy Holly: guitar
28: My Best Friend (My Infant's Coming Home) (Holly-Turner-Nilsson)
29: My Infant's Coming Home (Holly-Turner-Nilsson)
May, 1962: American Studios, Hollywood, California
Harry Nilsson: song; Scotty Turner: guitar, production
29: plus overdubs: 1994 Nashville Tennessee - Michael Blaustone: drums; Steve Bryant: guitar; James A. Wilson: bass; Troy Lancaster: guitar; Scotty Turner: guitar; Woody Wright: guitar
thirty: I Know I'll Have The Dejection Again (Holly-Mackey) - Whitesidewalls
c. 1980: Cookhouse Recording Studios - 2541 Nicollet Avenue, Minneapolis, Minnesota
Pat Brown: guitar, drums, vocal; Karl Ausland: guitar, vocal; Dan Melford: bass, song; Jeff Schmahl, guitar, keyboards, vocal; Dave Swanson: sax, vocal; Dale Menten: pianoforte
31: Monetta (Holly-Curtis) - Sonny Curtis
September, 1990: BBC Radio Merseyside, Liverpool, England
Sonny Curtis: guitar, vocal
32: A Whole Lot Of Lovin' (Huddle-Petty-Robinson) - Jim Robinson
33: Moondreams (Niggling) - The Norman Petty Trio
34: Moondreams (Petty) - The Norman Petty Trio
35: Oh, Y'all Cute Doll (Chocolate-brown-Ayer) - Ivan
36: When Sin Stops (Venable) (take two) - Waylon Jennings
True stereo versions - For The First Fourth dimension Anywhere!! Created by Purple Chick

Volume Nine
1: The Paul Cohen Phone Call
28 February, 1957: Jerry Allison's Abode, 2215 6th Street, Lubbock, Texas
two: Bill Randle WERE promo
3: Pecker Randle WERE promo
thirty June, 1957: Norman Petty Studios - 1313 West 7th Street, Clovis, New Mexico
4: Don Passerby promo
v: Don Passerby promo
6: Don Passerby promo
7: Don Passerby promo
15 September, 1957: recorded at The Forum, Montreal, Canada for 1230 Cornwall Radio
8: Ruby Robinson promo
9: Ruby-red Robinson interview
23 October, 1957: recorded Georgia Auditorium, Vancouver, Canada for the for the "Teen Canteen" prove
x: Freeman Hover interview
11: Freeman Hover promo
2 November, 1957: recorded at the Albany Hotel, Denver, Colorado for KCSR radio, Chadron, Nebraska
12: Dale Lowery interview
5 November, 1957: recorded at Municipal Auditorium, Topeka, Kansas for KTOP radio
xiii: Pat Barton interview
31 January, 1958: recorded Newcastle Stadium, Newcastle, Australia for Radio 2KO, Newcastle, AUS
xiv: Bob Chesney interview
15: Bob Chesney/WTRL promo
24 February, 1958: "Big Gold Record Stars Show", Dade Canton Auditorium, Miami, Florlda
sixteen: KSYD Wichita Falls promo
17: Dick Arlen WACK promo
unknown dates: unknown locations
18: Alan Freed interview
23 September, 1958 (broadcast 2 Oct, 1958) WNEW TV Studio, New York City, New York
xix: Ronnie Male monarch interview
17 Oct, 1958: recorded at the Catholic Youth Center, Scranton, Pennsylvania for "Teen Time", WGH, 739 Boush, Norfolk, Virginia
20: Dick Clark interview
28 Oct, 1958: American Bandstand, WFIL Studios 46th & Marketplace Streets, Philadelphia, Pennsylvania
21: Big Bopper Winter Trip the light fantastic toe Party promo
22: Ritchie Valens Winter Dance Party promo
23: Buddy Holly Winter Trip the light fantastic Party promo
1958/1959: unknown locations
24: Newscast virtually the plane crash
25: WNOE Newscast about the plane crash
26: Newscast near the aeroplane crash
27: A Bulletin To The Dutch Buddy Holly Fan Club From Ella And Lawrence Holley
28: Norman Petty Defends Himself
unknown dates: unknown locations
29: Raining In My Heart (alternating stereo mix from 1959)
xxx: Truthful Love Ways (alternate stereo mix from 1967)
31: It Doesn't Matter Anymore (alternate stereo mix from 1967)
32: What To Practice (alternate stereo mix from 1967)
33: Learning The Game (alternate stereo mix from 1967)
34: Non Fade Away ('complete' alternate accept with no backing vocals - outfake by Purple Chick)
35: Peggy Sue Got Married (Jack Hansen's overdubs in stereo for the kickoff time - by Royal Chick)
36: Crying Waiting Hoping (Jack Hansen'south overdubs in stereo for the first time - by Purple Chick)
Various odds and ends that there wasn't room for on the other discs.
37: Expect Til The Dominicus Shines Nellie (Sterling-Von Tilzer) - Bing Crosby
38: Slippin' and Slidin (Penniman-Bocage-Collins-Smith) - Fiddling Richard
39: Dearest (McDaniel-Polk-Baker) - Mickey and Sylvia
40: Honey Is Foreign (Smith-Bakery) - Mickey and Sylvia
41: Smokey Joe'due south Buffet (Leiber-Stoller) - The Robins
42: Leave My Woman Lone (Charles) - Ray Charles
(supposedly Buddy's Guitar from the Aparment Demos is based upon this)

Continued from Disc 10 - "Buddy'due south Record Collection"

Volume Ten
1: My 2 Timin' Woman (Snowfall) - Hank Snow
ii:1'11 Just Pretend (Martin) - Flatt and Scruggs and the Stanley Brothers
3: Take These Shackles From My Heart (King-Stewarl) - Pee Wee Male monarch
4: Footprints In The Snow (Jones) - Beak Monroe and his Bluegrass Boys
5: Baby, Permit'due south Play House ((,Gunter) - Elvis Presley, Scotty and Bill
half dozen: Blueish Days, Blackness Nights (Hall) - Ben Hall, Weldon Myrick, Dena Hall
7: I Forgot To Remember To Forget (Kesler-Feathers) - Elvis Presley, Scotty and Bill
(the sole acetate of Buddy's version was scratched at Buddy's asking to forestall its airplay competing with his first Decca single )
8: Ting A Ling (Nugetre) - The Clovers
9: Gone (Rogers) - Ferlin Husky
ten: Have You Always Been Alone (De Rose-Brown) - Ernest Tubb
eleven: Brown-Eyed Handsome Man (Berry) - Chuck Berry
12: Skillful Rockin' This night (Brown) - Elvis Presley
13: Rip It Up (Marascalco-Blackwell) - Little Richard
14: Bluish Monday (Bartholomew-Domino) - Fats Domino
15: Honky Tonk (Office 1) (Doggett-Shepard-Butler-Scott) - Pecker Doggett
16: Bluish Suede Shoes (Perkins) - Elvis Presley
17: Milk shake Rattle and Roll (Calhoun) - Elvis Presley
eighteen: Bo Diddley (McDaniel) - Bo Diddley
xix: Own't Got No Domicile (Henry) - Clarence "Frogman" Henry
20: Ready Teddy (Blackwell-Marascalco) - Niggling Richard
21: Valley Of Tears (Domino-Bartholomew) - Fats Domino
22: All Of My Dear (Oh Boy) (West-Tilghman) - Sonny Westward
23: Ship Me Some Lovin' (Marascalco-Cost) - Piffling Richard
24: It'due south Too Late (Willis) - Chuck Willis
25: An Empty Cup (Petty-Orbison) - Roy Orbison and the Teen Kings
26: (Y'all're So Foursquare) Baby I Don't Care (Leiber-Stoller) - Elvis Presley
27: Mona (McDaniel) - Bo Diddley
28: Rave On (West-Tilghman-Picayune) - Sonny West
29: That's My Want (Kresa-50.oveday) - Frankie Laine
30: Drown In My Own Tears ((Charles) - Ray Charles
31: Hallelujah! I Love Her Then (Glover) - Ray Charles
32: Early In The Morning (Darin-Harris) - Bobby Darin
33: Now We're One (Darin) - Bobby Darin
The original versions of some of the songs Buddy covered elsewhere in this prepare. Some very familiar, others inappreciably e'er heard.
The records Buddy took on tour (see tray picture) will make a great CD some day.
Jesus Never Fails Me /1'll Be Alright - Celestial Gospel Singers
Padre / All at Once - Toni Arden
With You lot / My Screamin' Screamin' Mimi! - Ray Campi with Johnny Maddox, Henry Hill, and the Debs
Look Forward / Bad Girl - Valerie Carr with Hugo Peretti and His Orchestra
Should I Ever Honey Over again? / Till the Well Runs Dry out - Wynona Ca
Stay as You Are / That'due south My Desire - The Channels
Mary Ann / Drown in My Tears - Ray Charles
What Would I Practise Without You / Hallelujah I Honey Her So - Ray Charles
Swanee River Rock / I Want a Littie Girl - Ray Charles
You Be My Baby / My Bonnie - Ray Charles
I Want to Know / Ain't That Love - Ray Charles
Come Dorsum / I've Got a Woman - Ray Charles
Curve a Piddling My Way / Not Dimenticar - Nat King Cole
Everybody Loves a Lover / Instant Love - Doris 24-hour interval with Frank De Vol and his Orchestra
A Very Precious Love / Instructor's Pet - Doris Day with Frank De Vol and his Orchestra

Middle Full of Love / The Sound of Music - Doris Day with Frank De Vol and his Orchestra
(My Baby Don't Love Me) No More than / Theresa (The Little Bloom) - De John Sisters
Hey! Bo Diddley / Mona - Bo Diddley
Earlier Y'all Accuse Me (Accept a Await at Yourself)/Say (Dominate Man) - Bo Diddley
Bird Dog / Devoted to You - The Everly Brothers
Problems / Dear of My Life - The Everly Brothers
Nothin' Shakin' / Don't Ya Know - Eddie Fontaine
All Night Long / You Got Me Whistling - Johnny Fuller and Ring
Honolulu Lu / La Plume de Ma Tante - Hugo and Luigi
Accept You Whatever Rivers / For My Good Fortune - Mahalia Jackson
I Traded Her Love /1'11 Be with You lot - Roland Johnson
No One Dwelling house / Mary Smith - The Jones Boys
Come Live with Me / Be True to Me - Kitty Kallen
Political party Doll / I'm Stickin' with Yous - Buddy Knox with the Orchids /Jim Bowen with the Orchids
Y'all Don't Know / Fever - Peggy Lee
Proficient Golly, Miss Molly / Hey-Hey-Hey-Hey! - Little Richard
Thunder Bird / My Babe - Little Walter and His Jukes
I Got to Get / Roller Coaster - Little Walter and His Jukes
I Can't Stand up It Any Longer / Number One in Your Heart - Skeets McDonald
Banana Divide / Sugartime - The McGuire Sislers
Love Song from 'Houseboat' (Almost in Your Arms) / Almost in Your Artillery (Love Song from 'Houseboat') - Mantovani
Work with Me Annie / Until I Die - The Midnighters
Don't Say Your Last Goodbye / Sexy Ways - The Midnighters
Annie Had a Baby / She'southward the One - The Midnighters
Honey, Don't Let Me Go / You've Got Me Dizzy - Jimmy Reed
You Got Me Crying / Go on to School - Jimmy Reed
Now That It's Over / I Feel Expert - Shirley and Lee
You Gambled / No Time - The Slades
La Bamba / Donna - Ritchie Valells
Airheaded, Miss Lizzy / Slow Down - Larry Williams
Thunder and Lightning / My Life - Chuck Willis
Take Intendance / Autumn Leaves - Roger Williams
Cast Iron Arm / You've Got Love - Peanuts Wilson

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